Tag: Cat

Art Out West

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Map of the open studios art trail
Small linocuts in a window display

I enjoyed making the background wallpaper for this window display. It’s inspired by a house move when I was about three years old. The new house’s wallpaper was all atomic design; my bedroom had pink and yellow ovals on a grey background. The kitchen was red, yellow and black. That was the first room to be redecorated with pale blues etc, but I preferred the original patterns.

My studio is whichever space is available at the moment, not particularly welcoming for any visitors. Pondering how to put a window exhibition together made me a bit nostalgic for previous studios. The lingering scent of dead pigeons in the roof; tin baths catching the raindrops falling from above. Sharing printing presses with people who left fingerprints on everything(!) There was a lot of admin to help out with in a studio building, the office area was usually warmer so it would be a haven of bustling activity.

There’s also the notion of being a local artist. That’s quite a difficult term, often used as an insult. I’ve lived here for 25 years but I’m not really local. A Radio 4 programme about blood types informed me that I’m part of the same group as some historic invaders. This area is known as ‘The Little England Beyond Wales’, even though the incomers seemed to be Flemish. I’ve never heard any Belgian people chatting around here (so far).

Anyway, these prints gathered together made me realise how many feature hands. Someone asked me if I could draw hands, so I drew a few. Then they asked “but what are linocuts used for?”, so the wallpaper design was to make that clear. What next? I might attempt to put my novel into the right order. It’s about an artist moving to Wales, even though their friends say that’s the same as being dead…

Test prints

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Jack Frost monoprints
Linocut of seven black cats

A couple of printing sessions that were more chaotic than usual. Missing pliers meant that I couldn’t get the lid off a blue ink tube. Some leftover black from the previous day seemed a good option. Later, I found another foil-wrapped leftover, a mixture of blue and white.

If Jack Frost has trapped the sun in a block of ice, then that would be the only light source. My first plan was to have a cool grey bluish sky with a bright yellow sun shining through the ice. Now I like the black background better. It still needs some tweaking…

Cats

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Cat inside a number four
Cat in long grass with wild garlic

Recent drawings on greetings cards for various life events. Mixed media, Bic Cristal biro (black and green) with watercolour crayons. The cat sitting on a hill is near some wild garlic, which has been given darker green foliage since the photo was taken. I wondered why Ramsbottom is called that, or which other names were considered at that meeting. A bit of etymological reading suggested ransoms and the bottom of a hill. Wild garlic valley, obviously.

Green Fuse

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Linocut test print. Two human shaped trees with a spiral of leaves.

There’s often an imaginary gallery in my dream landscape. Various prints and drawings appear on the walls, some of which I recycled years ago. A few months ago, this woodland scene was on display. I didn’t like it but it kept getting in the way of my dreaming walk around the gallery. Maybe if I make a version in the real world it’ll disappear from my dreams? Cutting the lino took a long time. A drawing would’ve been much more direct but it wouldn’t have looked right.

I’m very fond of folk tales and legends. The thought of making pictures of tree spirits didn’t appeal, there are enough around already. I suppose this is a depiction of the life force of the planet we live on. We don’t think about our connectivity until it’s under threat.

The theory of bad workmen blaming their tools comes in again. Blunt cutting tools won’t cut fine lines exactly where you plan them to be. Badly made rollers/brayers won’t pick up ink smoothly. I thought I’d use a second roller to add blue to the upper corners of the tree. It didn’t pick up any ink at all…

Back view of a print in progress
Lapis lazuli?

Sometimes a tiny detail isn’t in contact with the paper. A wooden spoon or the edge of a coin is useful to rub that section more closely. My usual beach pebble had disappeared so a piece of lapis lazuli was employed instead.