






Valentine’s Day, so here is a pencil drawing of two hearts of stone.

The old people used to say they grew sweet peas because you don’t have to bend far to smell the blooms. This is the first time I’ve grown some for a few years. The last attempts ended with little stems surrounded by slug trails.
Today’s drawing of the sweet peas might inspire the usual questions: “but what will you do with it when it’s finished?” etc. Well, since you ask, parts of it might be used for a family tree project. The little spirals are interesting, and could be a useful link between the names and dates of the more complex ancestors.

Drawing. Graphite, charcoal and pastels on orange paper.


A few years ago I had a disagreement with some drawing researchers about erasing mistakes. They said all lines are important and should always be kept. I don’t think we were talking about the same kinds of drawings, or if they draw at all.
Yesterday I was drawing with an eraser, adding highlights not removing mistakes. That reminded me of the odd discussion. Today I’ve been moving lettering around. Lots of lines have been changing position. I’m glad I’m not forced to keep all the previous versions as it would’ve been a solid block of lines by now.
First drawing of 2021 in the shadow of the window frame.


This began as a sketch for a black and white linocut a few years ago. Various interruptions later, it’s been coloured with pencils, biros and watercolour crayons. Not finished yet…

Sorting out the room that could be a studio. Found an old sketchbook. I remember sitting in the garden drawing these sheets.

When I was a teenager, a swarm of bees appeared at the end of the garden. The neighbours were very nervous but the bees were only interested in themselves. A beekeeper arrived to collect the swarm. They seemed very pleased to see him, crawling all over his white suit. I had been happily taking photos from underneath the cloud of bees. I wouldn’t have ventured so close to them if I’d known they interacted with humans like that.