Author: berrydaines

Printmaker

White Poppy

berrydainesLeave a comment
Linocut of a white poppy
Lino block with sketch

When this lino block was first cut, a long time ago, it was going to be printed in pale subtle colours. Something on the news the other day while choosing inks made me reach for scarlet and emerald green instead.

The block is similar to an unfinished print from even longer ago. As a teenager I liked the idea of nature reclaiming damaged land. Maybe it’s still a nice idea. The white poppy has symbolised pacifism for nearly a century. Weapons are presumably more profitable but mediation and peaceful resolution has a preferable outcome.

Shadows

berrydaines1 Comment
Jack the dog walking through the hedgerow

I was watching Jack’s shadow walking in a meadow when the rest of us were all over the pavement. It took a while to get some photos, passing traffic kept hiding the subject.

Walking on water?

Making test prints on the hottest day of the year isn’t a good idea. I wanted to know if the little dots looked like a road surface, so I began inking quite early. This hasn’t captured the idea I saw while walking, but it’s OK.

Nineteen Eighty Four

berrydainesLeave a comment

I’ve realised it’s now forty years since my art college graduation. There’s a certificate somewhere on the bookshelf that says I have a degree in Fine Art. The certificate doesn’t look like a genuine document so it fits well with my dissertation about art forgery.

“But what is Fine Art?” people ask. No idea, but it’s a term used in frilly lettering outside galleries showing the kind of art that would have been sneered at by any of our tutors. In 1984, anything looking like a craft was discouraged. Printmaking was a grey area, but it was tolerated.

Fine Art printed with linseed ink on paper

For the first few years after graduation I was a member of some printmaking studios. There were group exhibitions and teaching sessions. Then there were the ‘back to work’ schemes. These assumed that all work took place in an office, so there were basic maths and literacy classes. Meanwhile, I missed deadlines for creative opportunities which required proof of concept and skills. Helpful jobcentre ladies would ring prospective employers, saying “She’s got a degree in graphic design!”. When I pointed at my CV (again), they’d say “isn’t that the same thing?”.

During the last four decades I’ve collected a lot of rejection letters. Some of them were quite expensive.

A level exam piece

berrydainesLeave a comment
Two lino prints, each has three layers of pinks or greens. The image has a pierrot on stage with a dining table, framed by a grape vine and some honesty next to a wine glass.

I found this exam piece from 1980. Was there a specific theme on the exam paper? There were discussions with art teachers about what ‘advanced’ level really meant. One art teacher assumed I was being critical of his teaching style, or another person’s work. I wanted to know the difference between ‘ordinary’ and ‘advanced’ level printmaking. One of the art teachers was keen on outlines, which is why the wine glass has a dark line around it rather than having a darker table (or floor?) next to its lighter side.

There’s too much cutting here to have fitted into the 15 hours allowed for the exam, so it deserved the D grade. “It’s the time factor, y’see?” was often said to us in passing. It would have taken less time without all the cross hatching. I wasn’t pleased with the composition but felt too overwhelmed by the whole process to think about using a better sketch at the time.

A few years later the art college principal’s secretary queried my Art & Craft A level. It was allegedly unsuitable for a Fine Art establishment, but hadn’t been mentioned until I had been studying there for a year. That sent me back to the midst of this linocut, feeling inadequate and unable to speak clearly about my creative abilities.

Multitasking

berrydainesLeave a comment
Knitting on five needles lying on a watercolour cloud

There are many tasks to do today but I knitted instead. The project will become too big for three needles so I’ve added more. They’re slightly bent from being stuck under a heavy item for too long. They still function well.

Decreasing

berrydainesLeave a comment
Slip two knitwise, insert left needle into the front and knit them together.
Hat pattern decreases

Sometimes people ask how I made the pattern on the crown of the hat. It’s made (accidentally) by decreasing the number of stitches. Most written patterns say K2tog, knit two stitches together. That gives the hat the ridges as the circle becomes smaller towards the top of the head.

There are other methods. SKPO (slip one stitch onto the right hand needle, knit one then pass the slipped stitch over the knitted one) gives a ridge leaning the opposite way to k2tog. In theory, slipping two stitches knitwise then knitting them together as in the photo above will give a tidier result.