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It’s better to unravel this version and start again. The rose chart is from a Prima magazine, which is presumably vintage now.

Trying to rescue a print that had been overcut. The light gradually moved across the paper while I was colouring…


When this lino block was first cut, a long time ago, it was going to be printed in pale subtle colours. Something on the news the other day while choosing inks made me reach for scarlet and emerald green instead.
The block is similar to an unfinished print from even longer ago. As a teenager I liked the idea of nature reclaiming damaged land. Maybe it’s still a nice idea. The white poppy has symbolised pacifism for nearly a century. Weapons are presumably more profitable but mediation and peaceful resolution has a preferable outcome.

There are many tasks to do today but I knitted instead. The project will become too big for three needles so I’ve added more. They’re slightly bent from being stuck under a heavy item for too long. They still function well.




I’m glad the dead matches were there. They’re exactly the right size for getting ink out of the tube lids! The sky will be watercoloured in later.



Knitted stripes, or ridges of two rows each. Using dark and light yarns and knit or purl stitches, an illusion of a circle in a square. This is the easiest pattern in an article about illusory knitting, but I like it anyway.

Cameras never lie, mine won’t show the red and yellow stripes in the way they’re visible to me.

Knitting a spiral in the round seemed a good idea when it first appeared. I forget that it’s possible to knit in both directions while knitting a tube, so it might work. Using yarn from both ends of the grey, with the rainbow stuff in the middle. Nice reminder of how the ink looked on a zinc lithography plate before printing.

I sketched a few pairs of hands, thinking maybe one of the sketches would summarise the warped conditions of various workers.



I thought I’d make a quick splashy sunset picture. It took longer than intended. Some of the layers reminded me of making a lithograph.

The photos I worked from were taken while smoke blew across from a recycling fire. I didn’t notice the black clouds at the time.