Slip two knitwise, insert left needle into the front and knit them together.Hat pattern decreases
Sometimes people ask how I made the pattern on the crown of the hat. It’s made (accidentally) by decreasing the number of stitches. Most written patterns say K2tog, knit two stitches together. That gives the hat the ridges as the circle becomes smaller towards the top of the head.
There are other methods. SKPO (slip one stitch onto the right hand needle, knit one then pass the slipped stitch over the knitted one) gives a ridge leaning the opposite way to k2tog. In theory, slipping two stitches knitwise then knitting them together as in the photo above will give a tidier result.
I found a few copies of this message in a bottle this morning. It was the first block I cut with my little T.N.Lawrence cutter (my hands will never be big enough for a professional adult version). All of the prints are patchy in different ways, maybe I’ll make another batch of them someday.
Cat inside a number four Cat in long grass with wild garlic
Recent drawings on greetings cards for various life events. Mixed media, Bic Cristal biro (black and green) with watercolour crayons. The cat sitting on a hill is near some wild garlic, which has been given darker green foliage since the photo was taken. I wondered why Ramsbottom is called that, or which other names were considered at that meeting. A bit of etymological reading suggested ransoms and the bottom of a hill. Wild garlic valley, obviously.
Knitted yellow circles in red squares Red and yellow stripes All an illusion
Knitted stripes, or ridges of two rows each. Using dark and light yarns and knit or purl stitches, an illusion of a circle in a square. This is the easiest pattern in an article about illusory knitting, but I like it anyway.
Front and back views
Cameras never lie, mine won’t show the red and yellow stripes in the way they’re visible to me.
Knitting a spiral in the round seemed a good idea when it first appeared. I forget that it’s possible to knit in both directions while knitting a tube, so it might work. Using yarn from both ends of the grey, with the rainbow stuff in the middle. Nice reminder of how the ink looked on a zinc lithography plate before printing.
Linocut test print. Two human shaped trees with a spiral of leaves.
There’s often an imaginary gallery in my dream landscape. Various prints and drawings appear on the walls, some of which I recycled years ago. A few months ago, this woodland scene was on display. I didn’t like it but it kept getting in the way of my dreaming walk around the gallery. Maybe if I make a version in the real world it’ll disappear from my dreams? Cutting the lino took a long time. A drawing would’ve been much more direct but it wouldn’t have looked right.
I’m very fond of folk tales and legends. The thought of making pictures of tree spirits didn’t appeal, there are enough around already. I suppose this is a depiction of the life force of the planet we live on. We don’t think about our connectivity until it’s under threat.
The theory of bad workmen blaming their tools comes in again. Blunt cutting tools won’t cut fine lines exactly where you plan them to be. Badly made rollers/brayers won’t pick up ink smoothly. I thought I’d use a second roller to add blue to the upper corners of the tree. It didn’t pick up any ink at all…
Back view of a print in progress Lapis lazuli?
Sometimes a tiny detail isn’t in contact with the paper. A wooden spoon or the edge of a coin is useful to rub that section more closely. My usual beach pebble had disappeared so a piece of lapis lazuli was employed instead.
berry daines 