Recent drawings on greetings cards for various life events. Mixed media, Bic Cristal biro (black and green) with watercolour crayons. The cat sitting on a hill is near some wild garlic, which has been given darker green foliage since the photo was taken. I wondered why Ramsbottom is called that, or which other names were considered at that meeting. A bit of etymological reading suggested ransoms and the bottom of a hill. Wild garlic valley, obviously.
Knitted stripes, or ridges of two rows each. Using dark and light yarns and knit or purl stitches, an illusion of a circle in a square. This is the easiest pattern in an article about illusory knitting, but I like it anyway.
Cameras never lie, mine won’t show the red and yellow stripes in the way they’re visible to me.
Knitting a spiral in the round seemed a good idea when it first appeared. I forget that it’s possible to knit in both directions while knitting a tube, so it might work. Using yarn from both ends of the grey, with the rainbow stuff in the middle. Nice reminder of how the ink looked on a zinc lithography plate before printing.
Took photos because I always have to ponder where the needle picks up the yarn for an increase.
I sketched a few pairs of hands, thinking maybe one of the sketches would summarise the warped conditions of various workers.
There’s often an imaginary gallery in my dream landscape. Various prints and drawings appear on the walls, some of which I recycled years ago. A few months ago, this woodland scene was on display. I didn’t like it but it kept getting in the way of my dreaming walk around the gallery. Maybe if I make a version in the real world it’ll disappear from my dreams? Cutting the lino took a long time. A drawing would’ve been much more direct but it wouldn’t have looked right.
I’m very fond of folk tales and legends. The thought of making pictures of tree spirits didn’t appeal, there are enough around already. I suppose this is a depiction of the life force of the planet we live on. We don’t think about our connectivity until it’s under threat.
The theory of bad workmen blaming their tools comes in again. Blunt cutting tools won’t cut fine lines exactly where you plan them to be. Badly made rollers/brayers won’t pick up ink smoothly. I thought I’d use a second roller to add blue to the upper corners of the tree. It didn’t pick up any ink at all…
Sometimes a tiny detail isn’t in contact with the paper. A wooden spoon or the edge of a coin is useful to rub that section more closely. My usual beach pebble had disappeared so a piece of lapis lazuli was employed instead.
The packaging that protects computers and televisions is strong and inks up reasonably. It’s too flexible for any official sort of prints but not bad for quick projects.
A few years ago I had a disagreement with some drawing researchers about erasing mistakes. They said all lines are important and should always be kept. I don’t think we were talking about the same kinds of drawings, or if they draw at all.
Yesterday I was drawing with an eraser, adding highlights not removing mistakes. That reminded me of the odd discussion. Today I’ve been moving lettering around. Lots of lines have been changing position. I’m glad I’m not forced to keep all the previous versions as it would’ve been a solid block of lines by now.
It might look more cold and blizzard-like with a black sky? Originally I was pondering the lack of snow in our future, as well as the unpleasantness of dancing in slush.
A few passersby have stopped to take photos of this poster. Which words come to mind first?
I’m pleased to see the red paper hasn’t faded in the sunshine since putting it in the window during the spring.
berry daines 