
I found this exam piece from 1980. Was there a specific theme on the exam paper? There were discussions with art teachers about what ‘advanced’ level really meant. One art teacher assumed I was being critical of his teaching style, or another person’s work. I wanted to know the difference between ‘ordinary’ and ‘advanced’ level printmaking. One of the art teachers was keen on outlines, which is why the wine glass has a dark line around it rather than having a darker table (or floor?) next to its lighter side.
There’s too much cutting here to have fitted into the 15 hours allowed for the exam, so it deserved the D grade. “It’s the time factor, y’see?” was often said to us in passing. It would have taken less time without all the cross hatching. I wasn’t pleased with the composition but felt too overwhelmed by the whole process to think about using a better sketch at the time.
A few years later the art college principal’s secretary queried my Art & Craft A level. It was allegedly unsuitable for a Fine Art establishment, but hadn’t been mentioned until I had been studying there for a year. That sent me back to the midst of this linocut, feeling inadequate and unable to speak clearly about my creative abilities.













