I was watching Jack’s shadow walking in a meadow when the rest of us were all over the pavement. It took a while to get some photos, passing traffic kept hiding the subject.
Making test prints on the hottest day of the year isn’t a good idea. I wanted to know if the little dots looked like a road surface, so I began inking quite early. This hasn’t captured the idea I saw while walking, but it’s OK.
Linocut of some dancers, based on photos I took in Glastonbury. They will be printed in red and yellow for next midsummer.
I found this exam piece from 1980. Was there a specific theme on the exam paper? There were discussions with art teachers about what ‘advanced’ level really meant. One art teacher assumed I was being critical of his teaching style, or another person’s work. I wanted to know the difference between ‘ordinary’ and ‘advanced’ level printmaking. One of the art teachers was keen on outlines, which is why the wine glass has a dark line around it rather than having a darker table (or floor?) next to its lighter side.
There’s too much cutting here to have fitted into the 15 hours allowed for the exam, so it deserved the D grade. “It’s the time factor, y’see?” was often said to us in passing. It would have taken less time without all the cross hatching. I wasn’t pleased with the composition but felt too overwhelmed by the whole process to think about using a better sketch at the time.
A few years later the art college principal’s secretary queried my Art & Craft A level. It was allegedly unsuitable for a Fine Art establishment, but hadn’t been mentioned until I had been studying there for a year. That sent me back to the midst of this linocut, feeling inadequate and unable to speak clearly about my creative abilities.
There are many tasks to do today but I knitted instead. The project will become too big for three needles so I’ve added more. They’re slightly bent from being stuck under a heavy item for too long. They still function well.
I’m glad the dead matches were there. They’re exactly the right size for getting ink out of the tube lids! The sky will be watercoloured in later.
Sometimes people ask how I made the pattern on the crown of the hat. It’s made (accidentally) by decreasing the number of stitches. Most written patterns say K2tog, knit two stitches together. That gives the hat the ridges as the circle becomes smaller towards the top of the head.
There are other methods. SKPO (slip one stitch onto the right hand needle, knit one then pass the slipped stitch over the knitted one) gives a ridge leaning the opposite way to k2tog. In theory, slipping two stitches knitwise then knitting them together as in the photo above will give a tidier result.
Valentine’s Day, so here is a pencil drawing of two hearts of stone.
Typical tutorial, a chat about the artists I *should* admire. Any artists I *did* admire were allegedly not the correct choices.
I was often advised to look at works by Sidney Nolan. Why? Is it helpful to keep telling people to research the same stuff constantly?
This might be a sketch for a linocut. The lighthouse would be darker with more interesting light from the top. The waves would be darker, obviously.
The little figure about to step into the unknown is stolen from a tarot card. It’s usually a dog pulling on the clothing.
berry daines 